U.S. Navy Seabee Museum gives TLC to Seabee Heritage Center in Gulfport, MS

It’s that time of year—a time for goodwill, for giving thanks, and lending a helping hand. With many holiday seasons or projects, they do not happen overnight as we prep for cooking a great meal, make travel plans to spend time with family, or take time off our normal work to help others. Similarly, the U.S. Navy Seabee Museum’s exhibit plan for the Seabee Heritage Center did not happen overnight, and took numerous people, from museum staff and volunteers, and yes—Seabees, to make the magic happen.

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Seabee Heritage Center, Gulfport, MS, March 2017.

Beginning in March, Seabee Museum staff looked through the museum’s collection database, and archives to choose specific artifacts and materials to tell the Seabee story. Each item was pulled, text written, and the artifacts shipped for a weeklong mission at the Seabee Heritage Center at Naval Construction Battalion Center (NCBC) Gulfport. While there, staff revitalized more than twenty-five exhibit cases and assessed what steps to take next in the exhibit space.

Springing forward few months to summer, museum staff began planning for a December 1st celebration rounding off the Seabee 75th anniversary at the NCBC Gulfport Seabee Heritage Center.

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Digital drawing of new exhibit layout for Seabee Heritage Center, November 2017.

In preparation for the exhibit and celebration, much like earlier this year, museum staff considered artifacts, how to best tell the Seabee story, and when staff could fly to Gulfport for a weeklong installation. Before staff could consider a layout of the artifacts, they gathered an understanding of how the heritage center will be used in the present and future, along with taking into consideration the artifacts already on display. Moving forward with these facts, Seabee Museum staff designed a digital 3-D layout of the exhibit space and cases, figured out what and where artifacts might fit, as well as designed art panels telling the Gulfport battalions’ and the Seabee story from WWII to present.

Packing-up artifacts and exhibit supplies at the U.S. Navy Seabee Museum, November, 2017.

Packing-up artifacts and exhibit supplies for shipment from the U.S. Navy Seabee Museum, November, 2017.

As November rolled around, with yards of bubble wrap in hand, museum staff and volunteers packed and shipped three pallets of artifacts, art panels, and exhibit supplies to the Seabee Heritage Center in Mississippi. As with most events, timing is everything. Museum staff flew to Gulfport the night before the shipment arrived and in the morning Seabees helped move large exhibit cases and prep the space for exhibit.

Seabee Heritage Center, November 2017

Newly completed exhibits at Seabee Heritage Center at Naval Construction Battalion Center (NCBC) Gulfport, MS, November 2017.

Over the next four days, two museum staff members unwrapped and displayed over forty-five newly shipped artifacts, more than twenty-five textual art panels, then cleaned and spruced-up more than twenty-five exhibit cases in the main room and the entryway display honoring the fallen. At which time, the U.S. Navy Seabee Museum staff wrapped up the week flying back home to Port Hueneme, California and Thanksgiving with their families.

Happy Holidays.

Seabee Heritage Center entryway, November 2017

Seabee Heritage Center entryway, November 2017

 

 

 

 

 

 

Navy Ghost Stories at the U.S. Navy Seabee Museum

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The ‘Seabee Zombie’ and his wife the ‘Mistress of the Night’ greeted the story telling guests to the event.

Halloween was celebrated at the U.S. Navy Seabee Museum with a story telling session by the Seabee Zombie. The STEM Center was filled with fog, the guest arrived, and the Seabee Zombie with his wife, the Mistress of the Night, appeared to tell stories from Eric Mills’ book, “The Spectral Tide: True Ghost Stories of the U.S. Navy.”  Stories were told of brave sailors who fell victim to the wages of war.

One story was of the Sullivan brothers, who all five perished in the Solomon Islands after their ship the USS Juneau was bombed, torpedoed, and sunk.  Stories were told of the USS Hornet, the most haunted ship in the Navy, such as the angry captured Japanese pilot. A kamikaze pilot missed his mark, rescued by the Hornet’s sailors, thrown into the brig, and then committed suicide.  To this day the kamikaze pilot still roams the brig, attacking whoever spends the night there.

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The ‘Seabee Zombie’ telling the story about the USS Hornet, the most haunted ship in the U.S. Navy and the captured Japanese kamikaze pilot.

Other stories included the USS Lexington and their friendly ghost everyone calls “Charlie” and the guilt-ridden officer’s ghost, who keeps trying to get back to his station on the USS Arizona after he left it for some insignificant reason just before the sneak attack, and was killed on the initial wave.

One story is of the “Smoking Man,” a sailor who observed the gathering ships for the Battle of Midway from the Atoll’s dock, who is still seen there to this day.  Stories were told of the USS North Carolina which is presently moored in Wilmington, as a museum.  Tourist have been scared-off the ship when they observed chairs moving by themselves, or the caretaker and his girlfriend who saw a face looking at them from a padlocked room on the ship when they were on the dock.  All enjoyed the afternoon of storytelling and sharing ghost stories.

For about an hour museum visitors were captivated by stories of haunted Navy ships, and bases. However, most important was the stories of the brave sailors who made the ultimate sacrifice.

Seabees Lend a Helping Hand in Bosnia

While Seabees lent a helping hand in war-torn Bosnia during the mid-to-late 1990s, rebuilding schoolhouses, homes, and bridges for transportation, there was also the duty of protection and prevention. As their construction uniform includes flak vests and Kevlar helmets, protecting civilians in combat zones have always been a part of their humanitarian efforts.

Bosnia map

Between 1992 and 1999, approximately 200,000 military and civilians were killed as a result of the Bosnia civil war. To minimize their vulnerability in the face of war and genocide, the United Nations and the U.S. Department of Defense joined together to help Bosnian civilians in the mid-1990s. One program they jointly developed and instituted was a campaign to protect children against landmines. The campaign appealed to children’s superhero pop-culture sensibility with the Superman: Deadly Legacy comic book. The U.S. military, including the Seabees, gave these comic books to children teaching them to stay away from explosives and hidden landmines. Whether they were in fields or buildings—shiny objects should not always be played with.

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Superman: Deadly Legacy comic book, circa mid 1990s (U.S. Navy Seabee Museum archives)

The United Nations Children’s Fund (UNCEF) organization noted that as of 1996, “about 800 people [were] killed by landmines every month, 30-40 percent of them children,” in the world where “68 countries… an estimated 110 million landmines are lodged in the ground.” Humanitarian protection efforts using comic books in native languages against landmines continued in Bosnia as well as in other countries during the 1990s and included the joint forces of Superman and Wonder Woman.

 

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Archivist’s Attic- Seabees, Classifications, & Life Skills during WWII

With the formation of the newly created Naval Construction Battalions in 1942, Civil Engineer Corps (CEC) officers needed to create new qualifications for each Seabee rank and rate in order to recruit civilians into the force.  When recruited, men were recommended for a certain rank and rate based on age, education, previous experience, and hobbies: CPO Draftsman, minimum age 32; CBM (Diver), must be a diver with considerable experience on waterfront work; Navy Mail Clerk, must be trustworthy; Carpenter’s Mate, related civil job–cabinetmaker; musician, etc. While recruits had a general idea of what they rated, “[t]he day following a recruit’s arrival at Camp Peary’s Seabee training center (opened in 1942) a trained interviewer reclassified by them.”

 

While at Camp Peary, the interviewer asked the recruit a series of focused questions and information requests specific to certain duties and jobs/ranks such as: MM1c (Bulldozer Operator), Milling Machine Operator, Carpenter’s Mate… which needed filling for Seabees.

 “Would you be able to pull a 3 foot diameter stump with caterpillar 60, and how would you set the machine to do so?”

“What do you call the circle on a dividing head that you use to turn the work a definite amount?”

 “Name two knots used to tie together the ends of ropes to make a safe hitch for scaffolding.”

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Seabee Recruiting Cruiser Contingent in Parkersburg, West Virginia, October 1943. (U.S. Navy Seabee Museum archives)

While in the Seabees during WWII, enlisted men between the ages of 17 and 50 earned from $54.00 to $126.00 a month depending on rate and rank.

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Statistical Report/graph of CB personnel, 1942 through 1945. (U.S.Seabee Museum archives)

The first Seabee Detachment departed the U.S. January 27, 1942. In November that same year, President Roosevelt authorized the Seabees be expanded to 210,000 men from the initial force of 99 men nearly a year earlier. By the end of the war, more than 325,000 Seabees served on 6 continents and 250 islands.

 

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Curator’s Corner- The Legacy of Rear Admiral Lewis B. Combs

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Rear Admiral Combs with Seabees while on a visit to Trinidad to preform inspections on the 30th and 80th Construction Battalions, March 1944 (U.S. Navy Seabee Museum)

Rear Admiral Lewis B. Combs is a celebrated Civil Engineer Corps (CEC) officer best known for his many accomplishments spanning two world wars and assisting in the establishment and organization of the Naval Construction Force (NCF), better known as the Seabees, during World War II.

Combs graduated from Rensselaer Polytechnic Institute (RPI) in Troy, NY in 1916 with a degree in civil engineering and quickly joined the war effort when America entered World War I and served as an assistant civil engineer officer in charge of field construction in the Navy.

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Wedding portrait of Lewis B. Coms and Laura B. Warden with Lt. Ben Moreell, to his left,  as his best man, April 1925. (U.S. Navy Seabee Museum)

During peacetime service, he worked many overseas assignments, including the Republic of Haiti, where he met and became good friends with Lt. Ben Moreell, who would later become the “father of the Seabees”. Their friendship would span the rest of their lives as their careers each experienced an upwards path.

In 1938 Admiral Combs became the assistant chief at the Bureau of Yards and Docks (Budocks) serving under his good friend Rear Admiral Ben Moreell for 8 years through the duration of World War II and received the rank of Rear Admiral (RADM) in 1942.

In 1943, Combs received an opportunity to serve as the technical advisor during the making of the film The Fighting Seabees (1943) and formed a lifelong friendship with lead actor John Wayne. He went on to advise Wayne during the production of Sands of Iwo Jima (1949) and Home for the Seabees (1977).

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Combs on the set of The Fighting Seabees, Camp Pendleton, Calif., with actor John Wayne, 1943. (U.S. Navy Seabee Museum)

As the second in command of Budocks, Combs was responsible for administering the Navy’s shore construction and development program. Throughout 1944 to 1945, he conducted inspections of construction battalions in the Caribbean and Pacific, traveling more than 100,000 miles to personally meet with Seabees, boosting morale and welfare, listening to problems, and bringing information from the field back to headquarters. Before the war, he liked to say, he knew every one of the Navy’s 120 civil-engineering officers, by name. Before the war was over his engineering command included 10,000 officers and more than 325,000 Seabees.

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Rear Admiral Combs and CEC officers riding around Tinian Island on an amphibious wheeled vehicle while performing inspections on the 6th Seabee Brigade, February 1945. (U.S. Navy Seabee Museum)

RADM Combs finished his naval career in 1947 as the director of BuDocks Atlantic operations in New York.  He returned to Troy, NY where he became the head of the Department of Civil Engineers at RPI until his retirement in 1961. Nearly 400 military officers earned bachelor degrees in civil engineering under his guidance, predominantly CEC officers who went on to lead the NCF for decades to come.

Rear Admiral Combs passed away in May, 1996 at the age of 101. His legacy can be measured in the people and organizations he touched, and he directly influenced, either in uniform or as an academic, perhaps more civil engineers in the Navy’s history than any other man. Rear Admiral Lewis B. Combs has proudly earned the name “uncle” of the Seabees.

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Portrait of RADM Combs, created by artist Elaine Hartley Levine during WWII. (U.S. Navy Seabee Museum)

The portrait of RADM Combs, created by artist Elaine Hartley Levine during WWII, depicts Combs in the popular style of portraitures during that period; shown half-length, in a colorful descriptive setting. The small Seabee on his desk was a suitable emblem to represent his duties in NCF. The portrait is currently hung in the U.S. Navy Seabee Museum’s exhibit CEC before Seabees. Come visit the Seabee Museum and see our new additions and old treasures added to the CEC before Seabees exhibit.

Special thanks to historian Dr. Frank A. Blazich Jr. for his extensive knowledge and research on RADM Combs which was essential to creating this blog.

 

photo-of-robyn-for-curators-cornerMeet the Curator: Robyn King is pursuing her master’s degree in Museum Studies and Nonprofit Management through Johns Hopkins University. She earned her Bachelors in History and Anthropology from the State University of New York at Oneonta. She has experience working at state museums, historic sites, the National Park Service, and most recently the Navy. She is an expert in collection management, and has worked closely with both natural and cultural collections. Robyn loves all museums and sharing her love of history. When she is not working, she is volunteering her time with the National Peace Corps Association, as a Returned Peace Corps Volunteer from West Africa.

Curator’s Corner- Artifact Spotlight: SCW Pin Seabee Sculpture

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SCW Pin Seabee Sculpture, created by SW2 (SCW) Fontaine & SW1 (SCW) Ramirez, Keflavik, Iceland, 2005 (U.S. Navy Seabee Museum)

A new addition to the U.S. Navy Seabee Museum’s permanent collection is a steel metal sculpture known as the SCW Pin Seabee. This modern style Seabee insignia incorporates the Seabee Combat Warfare Specialist insignia (SCW) which is prominently displayed on the sculpture along with a battle dressed Seabee. The sculpture was welded and brought to life by Steelworker 2nd Class (SCW) Fontaine & Steelworker 1st Class (SCW) Ramirez for the last Seabee Ball at Naval Air Station Keflavik (NASKEF), Iceland in 2005.

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SCW Insignia displayed on the sculpture

NASKEF is a former U.S. Navy base at Keflavik International Airport close to the Icelandic capital of Reykjavik. Built during World War II by the U.S. Army as part of its mission to protect Iceland and to secure northern Atlantic air routes, it served to ferry personnel, equipment, and supplies to Europe. In 1942, one of the first Seabee units was sent there to help construct Meeks Field, a main ferrying and transport airfield used for flights between the US and the UK.

 

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Map of Iceland, courtesy of Google Maps

U.S. forces withdrew from Iceland in 1947, only to return in 1951 with NATO members under a formal defense agreement to operate NASKEF. The base acted as a platform for several operational capabilities throughout the Cold War and in the modern arena. Seabee Detachments (DET) were assigned to NASKEF’s Public Works Department until the base was disestablished on September 8, 2006 and its facilities were turned back over to Iceland.

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Close up of the half man/ half bee Seabee (U.S. Navy Seabee Museum)

Presumably, the SCW Pin Seabee was created to show Seabee pride. The Seabee is represented having the head, arms, and torso of a man (GI Joe® figure), and four additional arms and the body of a bee. The Seabee is holding a wrench, hammer, welding torch, handgun, gas mask, and a rifle in each of his hands to show his construction abilities and his military prowess. As Steelworkers, the creators of the sculpture added an arc welding power supply in the foreground to highlight their Seabee rate. This sculpture is an example of how a new generation of Seabees portray themselves compared to the Disney-style bee. The museum is continuing to gather further information regarding the provenance of this Sculpture and welcomes any new information.

Visit the U.S. Navy Seabee Museum and see how the Seabee insignia has evolved since its creation in 1942.

photo-of-robyn-for-curators-cornerMeet the Curator: Robyn King is pursuing her master’s degree in Museum Studies and Nonprofit Management through Johns Hopkins University. She earned her Bachelors in History and Anthropology from the State University of New York at Oneonta. She has experience working at state museums, historic sites, the National Park Service, and most recently the Navy. She is an expert in collection management, and has worked closely with both natural and cultural collections. Robyn loves all museums and sharing her love of history. When she is not working, she is volunteering her time with the National Peace Corps Association, as a Returned Peace Corps Volunteer from West Africa.